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A colourful and sophisticated terraced house in Chelsea by Studio Duggan
Victorian terraces – despite their uniformity – can be tricky spaces to decorate. How do you make it functional, using all of the sometimes limited space and light, whilst also creating a sense of individuality? These are the questions that the owners of this five-floor, four-bedroom house in Chelsea asked themselves when they first bought it in 2021. The solution? To enlist the help of interior designer Tiffany Duggan, whose sophisticated interiors, always a little playful, they had long admired on Instagram.
Since launching Studio Duggan in 2012, Tiffany has made a name for herself as an interior designer who consistently creates polished, fun and deeply inviting spaces. She spent the years prior honing her eye as a scenic artist for the theatre, where she learned the refined, exciting sense of style that she also brings to her furniture line, Trove, which launched in 2019.
Structurally the house was in good order. Tiffany’s challenge was to introduce an identity – one which reflected both halves of the couple. She loved colour and pattern, and he favoured clean-lined, contemporary design: ‘One of our jobs as interior designers when working with a couple, is to find where their tastes overlap’, she says. Here, this meant a delicate balancing act of colour, mid-century pieces, and pattern interspersed with neutrals. The couple owned very few pieces of furniture, so Tiffany brought in most of the pieces currently in the house.
The hallway – which has already received something of a fanatical reaction on Instagram – was kept relatively simple, ‘relatively’ being the operative word, as the eye can still be drawn in several directions, but compared with much of the rest of the house, it’s a visual oasis. ‘There wasn’t the space for us to pack it with furniture – we wanted to keep it quite light,’ says Tiffany, who mixed a natural Phillip Jeffries reeded wallcovering with light, white furniture and lighting with a marble chequerboard floor. ‘It’s warm but neutral,’ she says. The skirting board, painted in 'Castle Grey' by Farrow & Ball, acts as a link to the rest of the house, where shades of light blue are a running thread.
On the ground floor, the double reception room, which ‘makes it sound much grander than its dinky proportions would suggest’ was the biggest challenge. ‘What to do with the dreaded middle reception room?’ asks Tiffany. The street-facing side, designed for entertaining, was packed with seating: some, like the Rose Uniacke sofa or the mohair armchairs in lime green, from Trove, were contemporary finds, while the 1970s coffee table is a nod towards the mid-century design much loved by the husband. The middle room is quieter – just one reading chair and a coat cupboard, into which all manner of a young family’s clutter can be easily tidied away.
The lower-ground floor houses the open-plan kitchen, TV snug, and at the back of the house, the dining area. The kitchen is something of a deviation from the rest of the house: while there are still playful moments of colour – notably the mirror and decorative wall hung plates – the general feel is contemporary and light, manifested in the leathered Bianco Rhino marble countertops and handleless cabinets. In a space with such limited natural light, the lack of clutter is welcome.
Each of the upper floors of the house are home to one bedroom, except the top floor which has two small guest rooms. The main bedroom on the first floor and its adjoining bathroom are a considered balance of restraint and frivolity – walls in soft blue and a plain headboard are offset by a bench upholstered in Claremont's ‘Bon Marche Leopard’, and curtains in Beata Heuman’s ‘Florentine Flowers’. Next door in the bathroom, striped tiling and a bright yellow bath add flair to what might otherwise be a little too traditional for the clients taste. ‘Initially, they weren’t convinced by the pale blue tiles in the shower,’ says Tiffany, ‘but I’ll never tire of zellige tiles, as they’re just so beautiful.’
Two eaves bedrooms at the top of the house are the inverse of one another – one is painted in ‘Tuscan Red’ by Little Greene, a colour that was decidedly ‘too bold for any rooms which the couple would spend a lot of time in’, and the other (in ‘Theresa’s Green’ by Farrow & Ball), houses a compact built-in bed . Tiffany has created a playful conversation between the two rooms, by including accents from the neighbouring room in each: in the blue room, this is in the red bedside table and Vaughan's ‘Selendi Embroidered Linen’ on the blind and headboard, and next door, it is in the matching blue bedside table and a large blue gingham cushion.
The finished project has the desired effect for its owners – a simultaneously contemporary and traditional home for a young family, who share a glass of wine with friends in the sitting room, cook together in the kitchen and fill their dining room with family. ‘Being there,’ says Tiffany ‘feels a bit like you’ve gone out to a rather lovely restaurant or bar, except it has all of the comforts and life of a home.’
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