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A colourful and sophisticated terraced house in Chelsea by Studio Duggan

For this couple with a young child, it was a priority to live in a house that lent itself to family life as much as to entertaining. With the help of Tiffany Duggan, the small terrace is now a space that  thrills as much as it functions

On the other side of the main reception area is a calm reading space. A wardrobe with Watt's of Westminster wallpaper panels acts as the coat cupboard.

Sarah Griggs

The lower-ground floor houses the open-plan kitchen, TV snug, and at the back of the house, the dining area. The kitchen is something of a deviation from the rest of the house: while there are still playful moments of colour – notably the mirror and decorative wall hung plates – the general feel is contemporary and light, manifested in the leathered Bianco Rhino marble countertops and handleless cabinets. In a space with such limited natural light, the lack of clutter is welcome.

Each of the upper floors of the house are home to one bedroom, except the top floor which has two small guest rooms. The main bedroom on the first floor and its adjoining bathroom are a considered balance of restraint and frivolity – walls in soft blue and a plain headboard are offset by a bench upholstered in Claremont's ‘Bon Marche Leopard’, and curtains in Beata Heuman’s ‘Florentine Flowers’. Next door in the bathroom, striped tiling and a bright yellow bath add flair to what might otherwise be a little too traditional for the clients taste. ‘Initially, they weren’t convinced by the pale blue tiles in the shower,’ says Tiffany, ‘but I’ll never tire of zellige tiles, as they’re just so beautiful.’

On the top floor, a tiny bedroom has been carved out with the addition of this built-in bed. Red accents lift the space.

Sarah Griggs

The headboard fabric in the guest room is from Vaughan.

Sarah Griggs

Two eaves bedrooms at the top of the house are the inverse of one another – one is painted in ‘Tuscan Red’ by Little Greene, a colour that was decidedly ‘too bold for any rooms which the couple would spend a lot of time in’, and the other (in ‘Theresa’s Green’ by Farrow & Ball), houses a compact built-in bed . Tiffany has created a playful conversation between the two rooms, by including accents from the neighbouring room in each: in the blue room, this is in the red bedside table and Vaughan's ‘Selendi Embroidered Linen’ on the blind and headboard, and next door, it is in the matching blue bedside table and a large blue gingham cushion.

The finished project has the desired effect for its owners – a simultaneously contemporary and traditional home for a young family, who share a glass of wine with friends in the sitting room, cook together in the kitchen and fill their dining room with family. ‘Being there,’ says Tiffany ‘feels a bit like you’ve gone out to a rather lovely restaurant or bar, except it has all of the comforts and life of a home.’

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